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Geometric paintings by J VALENZUELA DIDI "pulsate between two and three dimensions, at once holding a structural form and serenely floating. Each work serves as a silent mantra, an ordered map of the intangible.” – J Valenzuela Didi ​ ​​​​

Geometric paintings by J VALENZUELA DIDI “pulsate between two and three dimensions, at once holding a structural form and serenely floating. Each work serves as a silent mantra, an ordered map of the intangible.” – J Valenzuela Didi

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MORUS QUINN'S – Wading Home II – 90 x 100cm ​ ​Morus Quin is a Sydney based artist working across, performance, printmaking, painting and jewellery. Quin’s work maps out culturally modified perspectives of the body, inhabiting both feminist and medical perspectives. ​ ​

MORUS QUINN’S – Wading Home II – 90 x 100cm

​Morus Quin is a Sydney based artist working across, performance, printmaking, painting and jewellery. Quin’s work maps out culturally modified perspectives of the body, inhabiting both feminist and medical perspectives.

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SIMONE READ – 'Avalon Ocean Pool' limited edition 4/100 print on Canson 310gsm photo rag paper 50 x 50cm print size, 79 x 79cm framed size 4.5kg $ 1,080.00 ​ ​Free packing and shipping Australia wide!  ​ ​​​​​​​​ #avalonpainting 

SIMONE READ – ‘Avalon Ocean Pool’
limited edition 4/100 print on Canson 310gsm photo rag paper 50 x 50cm print size, 79 x 79cm framed size 4.5kg $ 1,080.00

​Free packing and shipping Australia wide! 

​​​​​​​​ #avalonpainting 

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“I have created these works to allow the viewer to reflect on their own personal connection to the subject. I love when you ask someone their favourite treat from childhood and the conversation leads to other people reminiscing about theirs, usually evoking a feeling of fondness, and occasionally disgust." – LEONIE McINTOSH  ​ ​The Spectacle ​ 51 x 40.5cm canvas, 44 x 55 x 5.5cm framed oil on canvas ​ $ 990.00 ​ ​

“I have created these works to allow the viewer to reflect on their own personal connection to the subject. I love when you ask someone their favourite treat from childhood and the conversation leads to other people reminiscing about theirs, usually evoking a feeling of fondness, and occasionally disgust.” – LEONIE McINTOSH 

​The Spectacle
​ 51 x 40.5cm canvas, 44 x 55 x 5.5cm framed oil on canvas
​ $ 990.00

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"These works are reminiscent of a bygone era. When we stayed in the sun all day, lathering our bodies with baby oil and ate lemonade icy poles. The car would be overloaded with kids and our legs would stick to the vinyl seat because of the heat. You would want to have a seat by the window so you could roll it down to feel the breeze against your skin. These works show an innocent and carefree time and place" – ELISE JUDD  ​ ​​ ​

“These works are reminiscent of a bygone era. When we stayed in the sun all day, lathering our bodies with baby oil and ate lemonade icy poles. The car would be overloaded with kids and our legs would stick to the vinyl seat because of the heat. You would want to have a seat by the window so you could roll it down to feel the breeze against your skin. These works show an innocent and carefree time and place” – ELISE JUDD 

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'Fragmented Meditation 407X' – 61 x 61cm acrylic on canvas by J VALENZUELA DIDI  ​ ​"The shapes are intended to pulsate between two and three dimensions, at once holding a structural form and serenely floating. Each work serves as a silent mantra, an ordered map of the intangible.” – J Valenzuela Didi ​ ​​​ #colourblock 

‘Fragmented Meditation 407X’ – 61 x 61cm acrylic on canvas by J VALENZUELA DIDI 

​”The shapes are intended to pulsate between two and three dimensions, at once holding a structural form and serenely floating. Each work serves as a silent mantra, an ordered map of the intangible.” – J Valenzuela Didi

​​​ #colourblock 

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EDGAR SCHILTER is a Sydney based artist. Edgar completed a Fine Arts degree at the College of Fine Arts Sydney in 2008. His subjects of interest are decidedly honest, with recurrent themes of architecture, mechanics, technology and science. His work focuses on the methodical and meditative reproduction of detail in the hopelessly untrendy modern tradition of artisanry. His work turns the lens over the technical and structural and blends it with the patterning and textural elements often found in nature. ​ ​'Fruit Launch 3 Apple Ring' ​92 x 148cm, 96 x 152cm framed oil on canvas ​ ​​ #fruitpainting 

EDGAR SCHILTER is a Sydney based artist. Edgar completed a Fine Arts degree at the College of Fine Arts Sydney in 2008. His subjects of interest are decidedly honest, with recurrent themes of architecture, mechanics, technology and science. His work focuses on the methodical and meditative reproduction of detail in the hopelessly untrendy modern tradition of artisanry. His work turns the lens over the technical and structural and blends it with the patterning and textural elements often found in nature.


​’Fruit Launch 3 Apple Ring’
​92 x 148cm, 96 x 152cm framed oil on canvas

​​ #fruitpainting 

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'Vermilion Blues #2' – edition 2 of 10- 21 x 29cm image, 26 x 35cm framed archival print on photographic paper with white matte board and black frame $ 450.00. Custom sizes and unframed editions also available. "The recent years have been a time of sudden violence, of irruption. Of heat, fires, rain, and flooding of unprecedented intensity. We have been locked down, and in. And as more and more news of gendered violence emerged, a deluge of truth irrupted. Predictably, these events created space and cause to think and reflect. Through this time I looked back on the decades I believed the narratives that society created about me, and I struggled to reconcile my intellectual understanding of coercive control with the feelings of shame and guilt associated with my own experiences. For too long, people and systems have made me feel that I deserved to be treated poorly because I am a woman. Made me accept commentary on my appearance, my behavior, my anger. Of course, the same systems and people responsible for this normative imposition are the architects of the catastrophic demise of our environment. These images capture an upwelling of compassion for myself, and the discovery of power in my rage”. – Katherine Williams  ​ ​​​

‘Vermilion Blues #2’ – edition 2 of 10- 21 x 29cm image, 26 x 35cm framed archival print on photographic paper with white matte board and black frame $ 450.00. Custom sizes and unframed editions also available.

“The recent years have been a time of sudden violence, of irruption. Of heat, fires, rain, and flooding of unprecedented intensity. We have been locked down, and in. And as more and more news of gendered violence emerged, a deluge of truth irrupted.

Predictably, these events created space and cause to think and reflect. Through this time I looked back on the decades I believed the narratives that society created about me, and I struggled to reconcile my intellectual understanding of coercive control with the feelings of shame and guilt associated with my own experiences.

For too long, people and systems have made me feel that I deserved to be treated poorly because I am a woman. Made me accept commentary on my appearance, my behavior, my anger. Of course, the same systems and people responsible for this normative imposition are the architects of the catastrophic demise of our environment.

These images capture an upwelling of compassion for myself, and the discovery of power in my rage”. – Katherine Williams 

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DEAN REILLY – Cassowary 122 x 92cm canvas, 125 x 94cm x 5cm framed acrylic on cotton canvas with black shadow box frame “I painted theses birds as they are connected to my history via growing up in North Queensland. I was always moved by their distinctive colouring and how they contrasted with the natural environment. To see these birds in the wild is one of the many moments I am grateful for in my life. The cassowary Image was sent to me by my cousin as it is seasonal visitor to his place at the Eubenangee wetlands near my childhood home town” – Dean Reilly ​ ​Keep and eye out for more exciting works by Dean for his Solo Exhibition in September !  ​ ​

DEAN REILLY – Cassowary 122 x 92cm canvas, 125 x 94cm x 5cm framed acrylic on cotton canvas with black shadow box frame

“I painted theses birds as they are connected to my history via growing up in North Queensland. I was always moved by their distinctive colouring and how they contrasted with the natural environment. To see these birds in the wild is one of the many moments I am grateful for in my life. The cassowary Image was sent to me by my cousin as it is seasonal visitor to his place at the Eubenangee wetlands near my childhood home town” – Dean Reilly

​Keep and eye out for more exciting works by Dean for his Solo Exhibition in September ! 

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​“My Urban Fragments are a series of geometric arrangements that I create as meditative constructs. The shapes are intended to pulsate between two and three dimensions, at once holding a structural form and serenely floating. Each work serves as a silent mantra, an ordered map of the intangible.” – J Valenzuela Didi ​ 'Fragmented Meditation 203X' – ​61 x 61cm, acrylic on canvas $ 1,350.00 with free packing and shipping Australia wide. ​Please contact the team for worldwide freight.  ​ ​​

​“My Urban Fragments are a series of geometric arrangements that I create as meditative constructs. The shapes are intended to pulsate between two and three dimensions, at once holding a structural form and serenely floating. Each work serves as a silent mantra, an ordered map of the intangible.” – J Valenzuela Didi

‘Fragmented Meditation 203X’ – ​61 x 61cm, acrylic on canvas $ 1,350.00 with free packing and shipping Australia wide. ​Please contact the team for worldwide freight. 

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New work by REBECCA PIERCE 'The Lime Window' 122 x 122cm acrylic ink and oil sticks on canvas $ 4,500.00 ​ ​ #rebeccapierce 

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