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"Kookaburra isn’t sitting in the old oak tree, instead, inspired by the lyrics, I’m gonna swing from the chandelier, from the chandelier, I’m gonna live like tomorrow doesn’t exist’, she sits ready to swing perched peacefully on an antique chandelier." – NIKI McDONALD  ​ ​Close up section of new Niki McDonald work 'Chandelier'  76 x 101cm acrylic on pure linen $ 880.00 ​ ​

“Kookaburra isn’t sitting in the old oak tree, instead, inspired by the lyrics, I’m gonna swing from the chandelier, from the chandelier, I’m gonna live like tomorrow doesn’t exist’, she sits ready to swing perched peacefully on an antique chandelier.” – NIKI McDONALD 

​Close up section of new Niki McDonald work ‘Chandelier’  76 x 101cm acrylic on pure linen $ 880.00

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Brave II – 100 x 100cm by DANIELLE McMANUS ​​This work has already been quickly snapped up but if of interest you can chat to the team about commissioning an artwork which we do not charge any additional fees for as commissioned pieces are priced as if an existing work.  ​ ​​Each artwork is unique and original and so no two are ever the same but if a work you love is no longer available please enquire with the team about our easy commission process.  ​ ​ ​ #sold 

Brave II – 100 x 100cm by DANIELLE McMANUS
​​This work has already been quickly snapped up but if of interest you can chat to the team about commissioning an artwork which we do not charge any additional fees for as commissioned pieces are priced as if an existing work. 

​​Each artwork is unique and original and so no two are ever the same but if a work you love is no longer available please enquire with the team about our easy commission process. 


​ #sold 

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Power or tension. Fear or elation. FABIO GIOCONDO carves into his figures a never-ending search for the final form. Fabio's scenes and subjects are dramatised through theatrical lighting and coloration which references the Old Masters of the Renaissance. ​ ​​​​

Power or tension. Fear or elation. FABIO GIOCONDO carves into his figures a never-ending search for the final form. Fabio’s scenes and subjects are dramatised through theatrical lighting and coloration which references the Old Masters of the Renaissance.

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